THE MAGIC OF SELF-EXPRESSION

My quest has always been to move closer to my true self-expression. Each of us is connected to something bigger, and it's within that connection where great work unfolds. In my painting “Magic Journey,” I depict a moment of pure liberation from external judgment; propelling us one step closer into the universe.

Think back to the freedom of childhood play, where every moment was an opportunity for discovery. What drew us to those carefree moments? It was the joy of exploring without inhibition, guided only by our inner curiosity.

As adults, we often yearn to reconnect with that same sense of freedom and wonder. Reflect on moments when you felt truly alive. What made those experiences so special? Perhaps it was the same uninhibited expression that fueled our childhood adventures.

By embracing self-expression, we tap into a wellspring of creativity and authenticity within ourselves. So, dare to express yourself without reservation. For it is through embracing our true essence that we unlock the magic of our own journey.

LIKE-MINDED SOULS

The path of creativity often winds through solitary landscapes, where individuals grapple with their inner muses and demons. Yet, amidst the solitude, there exists a profound need for communal support, a tribe of like-minded souls who understand the struggles and triumphs of the creative journey.

Recently, I had the pleasure of immersing myself in such a community during a retreat with fellow alumni of an artist-in-residence program. Our group, comprising visual artists, writers, and poets, convened for three days of shared inspiration at the historic Lakeside Inn on the shores of Lake Michigan. Spending time with individuals who share the same passion and struggles offered not only validation but also invaluable feedback and encouragement. It was a reminder of the transformative power of community in nurturing artistic growth.

I firmly believe that everyone deserves a community within which to flourish. Whether it's a band of musicians, a literary circle, a hiking troupe, or simply a circle of friends, these connections nourish the soul, ignite creativity, and foster a sense of belonging. If you find yourself lacking such a community, consider taking the initiative to build one or seek out existing groups that resonate with your passions.

Growth and Exploration

I've been busy working on a new series of paintings since the beginning of the year. Last week, during a group art retreat in Michigan, I took the opportunity to deliver some of these pieces to the Judy Ferrara Gallery in Three Oaks, Michigan.

On my journey back home, I found myself contemplating the creative process and the delicate balance between perseverance and letting go. How often do we become fixated on perfecting our work, losing sight of the bigger picture? This struggle has been particularly evident to me as I've wrestled with the temptation to endlessly refine my paintings.

Recently, I came across a thought-provoking quote by Rick Rubin that struck a chord: "Hanging on to your work is like spending years writing the same entry in a diary. Moments and opportunities are lost. The next works are robbed of being brought to life." These words resonated, highlighting the importance of releasing our creations into the world, allowing space for new ideas to flourish.

This concept extends far beyond the confines of the studio; it permeates every aspect of our lives. How often do we cling to the familiar, fearing the uncertainty that lies ahead? Yet, it's in embracing the unknown and opening ourselves to new possibilities that we find true growth and fulfillment.

With this in mind, I'm excited to introduce one of my latest paintings, "Tranquil Flow." It serves as a testament to the power of letting go and making room for growth and exploration.

P A T I E N C E

Developing your creative practice requires a dose of patience.

In the previous year, I encountered a month of painting where everything seemed to go awry. Occasionally, we must accept that some aspects are beyond our influence, and attempting to control them may prove futile.

Late one evening, I embarked on a new canvas. I distinctly recall urging myself to apply just three colors that night. Despite the frustrations and setbacks, something remarkable unfolded. I remember thinking, "Look at this." The satisfaction and visual appeal were palpable, even at 10:00 pm.

That painting is titled “Morphing,” (above) and it holds a special place among my favorites for 2023. The title mirrors the transformative feelings I experienced after that challenging period, symbolizing the natural changes akin to water meeting the shore or the blossoming of flowers. It signifies the culmination of all the work invested in the preceding month.

ARTFUL GIFTS, LASTING JOY

As the holiday season approaches, may I propose a unique and meaningful approach to your gift-giving list: Consider giving an original work of art. Artwork is distinctive, a one-of-a-kind gift, something that can't be replicated. Original paintings in particular are gifts that last a lifetime.

Every painting holds a story, adding depth and significance to your gift. For those familiar with my work, it's not just a painting; it's an experience, a story, a connection. Intentionally, it's something you never get tired of looking at.

If intrigued, please explore my collection of new small paintings (12x12) perfect for holiday gifts link here, and if any catch your eye, simply send me an email. McMillen.Marcia@gmail.com

Wishing you a holiday season filled with creativity, joy, and meaningful connections!

Creative Journey: Parisian Impressions

Painting “Entangling” 36x48”

In the realm of art, it's often the grandest and subtlest moments that shape our creative essence. My recent journey to Paris has been a profound wellspring of inspiration and the beauty we seek may be found just beyond our own doorstep. Reflecting on Monet's legacy, who devoted 40 years to painting the enchanting landscapes of his home and gardens in Giverny, I am reminded of the power of finding serenity in familiar surroundings.

Paris, a city steeped in artistic history, unfolded for me a visual narrative of a lifetime's creative journey. It was within the confines of smaller art museums that the masterpieces of Picasso, Rodin, and Monet not only captivated my senses but also etched an indelible mark on my artistic perspective. Particularly striking was the profound impact of the sculptor Auguste Rodin, both through the myriad sculptures in outside gardens and within the many large rooms of the museum.

This trip also widened my perception of color, revealing a vibrant palette and unique combinations in countless pieces of art. The discovery of artists like Suzanne Valadon and her Montmartre studio added a layer of enriching experience. While visiting all the art museums and standing before classic paintings studied during my university art history days, I came full circle.

Paris has not only been a city of art but a catalyst for the evolution of my creative spirit, leaving an enduring imprint that will continue to shape my artistic endeavors for years to come.

My Pilgrimage to Giverny

Claude Monet, a central figure in the Impressionist movement, is celebrated for his brilliant renditions of gardens and landscapes, conveying the interplay of light and nature. Monet moved to Giverny in 1883 and lived there until his death in 1926. During that time, he created many of his most famous works, including his series of water lilies, Japanese bridge paintings, and various other garden scenes that were inspired by the beautiful surroundings of Giverny. Monet was known for his dedication to capturing the ever-changing effects of light and atmosphere in his paintings. He worked on multiple canvases simultaneously, returning to the same location and time each day to continue his work.

I first learned extensively about Giverny from my creative friend, the late Linda Lawson, who visited Giverny with her husband many years ago. Her enthusiasm and excitement were contagious as she shared every detail of the gardens, house, studio, and her love for the yellow dining room and blue kitchen.

My own pilgrimage to Giverny was just two weeks ago, and I was thankful we visited Giverny early in our trip because every time I viewed a Monet painting set in Giverny at one of the Paris Museums, I could vividly recall where he had been standing in his gardens or by the pond.

Giverny has left a profound impact on me and I’m sure, other artists who visit and find inspiration in its natural beauty. The spirit of Impressionism still lingers in the air. It continues to be a place of pilgrimage for art enthusiasts and painters seeking to connect with the artistic legacy of Claude Monet.

CREATIVE MISTAKES

Painting “Liner” 24”x24”

In the journey of crafting a new piece of art, artists often find themselves engaged in a silent dialogue with their work. The questions arise – yes, no, maybe, and occasionally, a frustrated exclamation questioning the very essence of the creative process. This ongoing conversation hones our artistic perception. Yet, there are instances when we're overly critical of ourselves.

Every artist encounters mistakes and imperfections along the way, but these are the stepping stones of learning, growth, and the birth of fresh creations. There's a certain trust we must place in these moments, believing that they might harbor unexpected purpose.

Occasionally, you might discover that only a portion of your canvas speaks to you, while the rest remains silent. Many of us struggle to release that part, clutching onto it until the realization dawns – sometimes, it's best to start anew, letting layers of paint breathe life once again. I've encountered this scenario countless times. On one memorable occasion, I painted an additional layer, only to gently scrape off certain sections. The result was a breathtaking transformation, an interplay of colors.

Then, there was a time I found myself drowning in excess paint. Ingeniously, I placed clean newsprint paper upon the painted surface, absorbing the surplus paint. Upon lifting the paper delicately, an intriguing pattern emerged from the paint, as if the paper itself had contributed its voice to the artwork. A further revelation awaited as I began dragging the paper across the paint, leaving behind a whisper-thin layer, adding depth to the piece.

Through the passage of time, I've grown to embrace challenges, viewing mistakes not as setbacks, but as experiments that uncover concealed treasures. Each perceived misstep is an invitation to unearth the extraordinary.

ANNOUNCING NEW GALLERY REPRESENTATION

Painting “GENEROUS” on View at JUDY FERRARA GALLERY

I'm thrilled to announce that I have secured a new gallery representation with the JUDY FERRARA GALLERY. Located in Three Oaks, MI, near the shores of Lake Michigan, the gallery is currently celebrating its 20th year of operation.

If you happen to be in the area, I invite you to visit the gallery and explore my artwork firsthand. The gallery provides a wonderful opportunity to immerse yourself in a diverse collection of artistic expressions.

Podcast: Sailing Into Oblivion
Host: Jerome Rand
Guest: Everett McMillen Cislo
Episode: #187 Adventure on the Mississippi River with Everett
Released: July 8, 2023

Listen to an exciting podcast episode as Jerome Rand delves into the remarkable journey of Everett McMillen Cislo. In the summer of 2015, Everett canoeing the entire length of the mighty Mississippi River with fellow paddler Will Jonsson. Prepare to be captivated as fellow adventurer Jerome, who sailed solo non-stop around the world in 2017-2018, compares and contrasts epic expeditions. You can tune in to this episode on popular podcast platforms such as Spotify, Apple Podcasts, and more. Link to Everett’s website.

EXHIBITION: COASTAL CONNECTIONS

In 2019, I had the incredible opportunity to participate in a two-week artist-in-residence program along the ocean seashore, thanks to Fire Island National Seashore. Subsequently, as a result of this enriching experience, the participating artists were given the opportunity to display their creative works inspired by their time there. Although delayed by the pandemic, the long-awaited exhibition now showcases the works of seven artists from 2019 to 2022.

The exhibition can be found at the National Parks Watch Hill Ferry Terminal, located in Patchogue, NY, throughout the month of July. Among the works on display, I am proud that five of my own paintings are featured, adding my unique perspective to the collection. Each painting tells a story, capturing the essence of the seashore and its influence on my creative journey.

Embrace the Present

Camp Michigania has held a special place in my heart since 1997. It is a beloved destination for alumni of the University of Michigan, situated in serene northern Michigan on Walloon Lake. Each year, my family and I eagerly anticipate this cherished July tradition.

What truly sets this place apart are the deep friendships we have cultivated over the years. We treasure the laughter and camaraderie shared with our friends. As the days unfold, we disconnect from the outside world and find a tranquil refuge where time appears to stand still. Walloon Lake serves as my ultimate muse, and you can often find me sailing every afternoon, fully immersed in its beauty.

However, Camp Michigania is more than just a tradition; it has played an integral role in our family's narrative. Our son has grown up attending the camp, and he worked as a staffer for several years, forming lifelong friendships along the way. In a fortuitous twist of fate, he also met his future wife, who was also working as a staffer.

When I leave Camp, my heart is filled with gratitude and artistic inspiration. The camp's experiences, connections, and peaceful ambiance influence my abstract painting for months to come.

Peak Creative Flow

In May, I spent two weeks at an artist-in-residence program by Lake Michigan. The Lakeside Inn, having provided residency from 1968-1994, revived the process three years ago. It is a beautiful place with a spacious painting and ceramic studio, perfect for artistic exploration.

During my residency, I shared the space with two fellow artists: Isabel Almeida, a talented ceramicist, and Dawson Knipp, a multidisciplinary artist. We had inspiring art conversations, often in the kitchen, discussing our creative practices and future projects.

The painting studio was large, with skylights and windows on both sides. Looking out onto the woods and a small pond, I enjoyed the sounds of birds in the morning and frogs at night. With ample room for my paintings, I had the freedom to fully engage in my physical painting process.

My days followed a simple routine: breakfast, painting, a late afternoon walk on the beach, dinner, and more painting. I can't stress enough how simplifying my life during this time brought me clarity and allowed me to be fully present. Immersing myself in the creative process helped me find my peak flow.

Artist-in-residence programs are important because they offer a change of environment, a new perspective, and plenty of time, which can greatly influence an artistic vision. By trusting my intuition and letting go of preconceived ideas and plans, I experienced significant breakthroughs in my work. I managed to create 14 paintings during my stay, and I'm genuinely excited about them.

The residency experience is just the beginning; the lessons and growth continue over time. I'm grateful for this opportunity, a gift that nurtures my artistic journey and enriches my life.

Why Artist-in-Residence Programs Matter

During a recent conversation with a family member, the topic of artist-in-residence came up and I realized that many people are unfamiliar with how they work and the reasons why someone would want to participate.

Artists participate in these programs for a variety of reasons. For one, residencies provide a unique opportunity to focus on their work in an inspiring and supportive environment, free from the distractions of everyday life. By stepping out of their usual surroundings, artists can gain a new perspective on their work and find inspiration in the new surroundings, cultures, and communities they encounter. Residencies also promote cultural exchange and collaboration, supporting the development of the arts.

Applying for an artist-in-residence program typically involves researching programs that align with one's goals, preparing application materials like a resume, statement of purpose, and portfolio of work, and submitting the application online. Keep in mind that the application process can be highly competitive, with many artists vying for limited spots.

Over the years, I have applied to multiple programs and have had the privilege of being accepted into two artist-in-residencies. Through these experiences I have learned valuable lessons and gained personal insights. Being in a new environment allowed me to bring a fresh perspective to my work, stay in a creative flow without interruption, draw inspiration from the proximity of water, and attain clarity in my thinking due to being alone.

In 2019, I participated in an artist-in-residence program through the National Park Service on Fire Island, where I spent two weeks alone on an island in the Atlantic Ocean. In 2022, I experienced an artist retreat on Fire Island with a fellow artist for nine days. During this time, we shared our creative process, discussed what inspires each other, and bonded over our love of water.

Currently, I am participating in an artist-in-residence program through Lakeside Inn Studio for two weeks on Lake Michigan with two other artists. I have access to a very large studio space 24/7, and we will be giving two artist talks during this time. You can follow my experience on Instagram Stories, and I will write more about it in a future blog post.

HOW TO LOOK AT A PAINTING

Looking at art involves asking questions and trusting your instincts. Some people feel uncomfortable evaluating art, like somehow, they aren’t qualified. It’s especially true with abstract paintings: they say I don’t get it or what is it? I would like to demystify this so you will trust your own thoughts and opinion and how it makes you feel.  Your opinion is just as valuable as the director of an art museum.
So, give it a try with the questions below and the two paintings I have provided. Ask yourself some questions as you study these paintings. The best part is there are no right or wrong answers.

Describe it.
What words would you use to describe this painting? What other words might we use?
How would you describe the lines in this picture? The shapes? The colors?
How would you describe this painting to a person who could not see it?

Relate it.
What does this painting remind you of?
What interests you most about this work of art?
What do these two paintings have in common?

Analyze it.
Which objects seem closer to you? Further away?
What can you tell me about the colors in this painting?
What do you think is the most important part of this picture?

Interpret it.
What sounds would this painting make (if it could)?
What do you think this painting is about? How did you come up with that idea?
Pretend you are inside this painting. What does it feel like?

Evaluate it.
What do you think is good about this painting? What is not so good?
Why do you think other people should see this work of art?
What do you think is worth remembering about this painting?

The above paintings are by Helen Frankenthaler and Jackson Pollack

LOOKING AT ART IS GOOD FOR US

Artists all know about the benefits of creating art; visual acumen, sparks of joy, and emotional awareness. But simply viewing art can also be beneficial.

Art builds awareness. Take some real time to look at art. More than 15 seconds. Art is not exclusive to a museum. Also look at architecture, street art, and your surroundings. Observe and have a direct experience with whatever is in front of you. By really looking you become more aware; alert and present in the space around you.

Art sparks a curious mindset. Your brain is at work looking for color, patterns and shapes that you may or may not connect with; wondering how and why the artist created this piece. There is no right or wrong answer. 

Art can evoke an emotional response. I personally believe that a good piece of art has to evoke some type of emotion: calm or anxious, happy or sad.

I recently learned that viewing a beautiful work of art creates the same chemical (dopamine) in the brain as love, according to research conducted by Semir Zeki, Professor of Neuroesthetics at University College London.

I hope this opens up more curious thoughts, ideas and new perspectives. Please share this blog with your friends.

Last September I painted for 8 days on Fire Island. While walking the beach I would study the change in the overlapping waves on the sand and around the shells and pebbles. It made me feel calm and at one with nature. I painted this blog’s painting during that time and it is titled “Transmute”.

I hope this opens up more curious thoughts, ideas and new perspectives. Please share this blog with your friends.

UNDERSTANDING ARTISTS

Painting / Overplay 12x12

Jerry Saltz is a very well-respected senior art critic for New York Magazine and a 2018 Pulitzer Prize winner for Criticism. He visits over 20 gallery openings a week.  I have read both of his books about Art. I admire his straightforward approach and his “don’t hold anything back” writing style.

As an artist, I sometimes feel like I'm on an island, especially in my thoughts. Does anyone really understand what I’m doing, how, or why? When I read Jerry’s inspiring words of wisdom I feel understood.

Below are some recent Instagram posts that I find very affirming. All written by Jerry Saltz:

WINTERING

W I N T E R I N G

The contrasts in life help me clarify my thoughts, feelings, and direction as I move forward. For me, going from the excitement and busyness of December to the calm and tranquility of January is a good example. January forces you to slow down, with shorter days, winter weather, and typically fewer events during the month.

I have been spending this month fully embracing the power that “Wintering” offers.

In my creative practice this year I started by reviewing all the paintings I did last year and examining each for its strength. What is there to learn as I move forward? That prompted me to mix up some new colors and paint some small color studies (above) that, in turn, have led to starting bigger paintings. The slower pace of January allows time for new ideas. I often find that some of my best ideas actually come when I’m not in the studio.

Also, I love to feed my soul in a literal way by trying new recipes and preparing many of our favorite hearty dishes. I have also found that one candle lit for dinner can make any meal feel elevated. And, I don’t do dry January; I feel bourbon was specially made for the winter months.

Because of the shorter days, we find ourselves heading up to bed early with our latest stack of books. When my son was a little boy, he would be at the foot of our bed with his pile of books. All of us would read together, keeping warm with lots of extra blankets.

We had a wonderful surprise last Sunday when we woke up to a beautiful snow-covered yard. Thick snowflakes were still falling when I went out to take photos and enjoy the quietness that the blanket of snow brings.

I hope this month has given you time for some self-reflection, allowing new thoughts and ideas to germinate for the spring.

NEW YEAR - NEW START

NEW YEAR - NEW START

Time is all we have and it’s one of the rarest commodities in life. As the abstract expressionist painter Elaine de Kooning said: “The only thing that an artist must fight is time. The only thing the artist knows is time.”
 
The beginning of the year is a wonderful time for me to set my intentions, goals, and plans. Which means making lists. And I love lists. Lists can bring order to your life and keep you from getting anxious. But sometimes a big list is overwhelming. Becoming overzealous and thinking you should be able to accomplish more each day. Instead, this
week I have been trying to focus on three top items, the most important things I wish to accomplish. This blog is on the list this week.
 
A daily routine is part of the artist’s success. People sometimes think that creative genius just happens. But you have lots of ups and downs, and you have to be able to catch that big moment when you’re in the flow and ride the wave. You must make the time you have count. My routine: I start my day with meditation, writing in my journal, and then on to my creative work. It might work for you.

SPECIAL RELEASE

Over the past two months I have been working on a special release of 10 small paintings. Share the creative joy this holiday season with a one-of-a-kind abstract painting! Each creation is available until December 31. Go to the “Special Release” tab in the left navigation to see all the paintings.

Please email or text me if you wish to purchase. Shipping will be added if you’re outside the greater Cincinnati / Northern Kentucky area.

McMillen.Marcia@gmail.com 859.760.2558

ARTIST RETREAT

This past September I went for an artist retreat. Reprising an artist-in-residence experience from 2019, I met up with New York artist/friend Anne Gabriele (link to her art). We spent 8 days on Fire Island, New York.

This was my first time on a retreat with another artist. We both shared a cottage for our creative work. I worked on the bigger table and Anne worked both inside and outdoors. Anne creates abstract landscapes using the cyanotype print process. We each draw creativity from the ocean, natural elements found on the beach, and all the daily changes in the surf. Throughout the week we spent time talking about our creative art practice, inspirations, and artistic lives. Artists need to be with other artists talking about art.  I’m so grateful for our time together.

My goal for this retreat was to experiment with new color combinations and compositions. When I’m immersed in nature it makes it easy for my creativity to flow out. The agenda of each day was very simple: paint, then walk on the beach, paint, then more beach, then make dinner and paint. The breeze went through the cottage which enabled my paintings to dry quickly allowing me to get 3 layers of paint on in a day. I completed many paintings and color studies. I came away energized and ready to keep the momentum going.