ARTISTIC VISION LIKE NO OTHER

Detail of “Mud Time”, 1960 by Joan Mitchell

JOAN MITCHELL: ARTISTIC VISION LIKE NO OTHER

This past August I was awarded an artist grant to travel to the Baltimore Museum of Art to see the retrospective exhibition on Joan Mitchell, a first-generation abstract expressionist (1925-1992).

This exhibition provided me an opportunity to see works by Joan Mitchell in person for the first time. Seeing 70 important pieces by Mitchell helped me understand her subject matter, sources, and technique more clearly, as well as seeing the way her work developed and changed over time.

I gasped as I went through the show! All of it was mind-blowing, the enormous size of her paintings combined with her layered spectrum of colors, beautiful muddy hues within the harmony of white fields. The rhythm and energy in her brush strokes create a perfect balance of texture in each composition. Some of her paintings were on a single canvas, while others were diptychs, triptychs, and quadriptychs complimenting perfectly with one another. Her paintings are like no others, truly transportive drawing you in with the depths and layering of colors.

I came away energized with so many new and interesting avenues to explore. Back in my studio, I began to translate my process onto larger or multiple canvases and explore new color combinations with the beautiful effects of adding Mitchell’s “mud color”.

Paintings from the retrospective exhibition by Joan Mitchell.

SUMMERTIME OLD AND NEW

Painting “Passage of Color” 24x24

The day is long.

The watermelon is cold.

The summer feels effortless and free.

Music: “Summer Breeze” - Seals & Crofts, takes me back, and “Down by the Water” - Abigail Lapeli, inspires a sense of calm.
Taste Good: Happiness to me is eating tomatoes and cold watermelon all summer long.
Books: Recently, Vivian Howard {PBS host, chef, and author} spoke at the Cincinnati Mercantile Library and she signed my new favorite cookbook: “This Will Make It Taste Good.” Follow her on Instagram.
Comforts of Summer: The day is long and twilight is even longer. Nothing feels more like summer than a screened-in porch. You’ll find me chilling out late into the evening as I listen to the tree frogs and crickets.
Childhood Memories: Summers in Michigan with my cousins. Summer afternoons by the lake. The night we stayed up until 3:00 am to watch the Northern lights.
Advice: Watch more sunsets and starry nights then skip Netflix.

Creative Energy: October 8, 2021

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UNDERWATER WORLD

I have always been intrigued by the underwater world. The way everything moves so calmly with the current. The plant life and animals are all intertwined like a secret underwater garden.

My feature painting “Looking Through” is a continuation of a series of paintings of underwater images and shapes with light filtering down and hints of bright color. From a canoe, kayak, or while swimming I spend time studying what is going on beneath the surface of the water. In northern Michigan, the water is so clear that you see down a good 6-10 feet.

Speaking of underwater worlds, my brother-in-law Bob recently recommended a visually inspired and thought-provoking film titled “My Octopus Teacher”. It is a 2020 Netflix Original film that documents a year spent by filmmaker Craig Foster forging a relationship and bond with an octopus in a South African kelp forest over 11 months. The Octopus allows him into her world to see how she sleeps, lives, and eats and teaches him lessons on the fragility of life and our connection with nature.

In 2021 this movie won an Academy Award for Best Documentary Feature. I would highly recommend this film. A link to the trailer.

Creative Energy: September 17, 2021

Creative Energy: September 17, 2021

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A SEASON FOR CHANGE & LEARNING

September habits: starting school, new projects, or switching over the clothes in your closet. I’m one of those people who loves the fall changes. I even organize photos of my finished paintings on my computer by seasons. The featured painting for fall is “Crossing Over” 36x36 Acrylic on canvas.

I enjoy learning and discovering new things. Here are a few new resources for learning that I would like to share with you.

. . . . . . .

The School of Life – based in the UK. Focuses on exploring life lessons that you did not learn in school or even from your parents. Teaching you how to lead a more fulfilled life. Lots of great books, films, articles, and online classes. Go poke around. Link here.

. . . . . . .

School of Greatness Podcast by Lewis Howes. He talks with hundreds of interesting people and is a very compelling interviewer. I listen to him and other podcasts while walking, exercising, or driving.

His August 18th podcast was with Behavior Scientist Katy Milkman’s How to Change: The Science of Getting from Where You Are to Where You Want To Be. Lots of very practical lessons that can be adapted easily. One lesson is starting a new habit with the seasonal changes beginning in September. Link this episode. 

Netflix Series The Chair – The academic world of a fictional, small liberal arts college.  The viewpoints and insights of changes in the educational world: life, diversity, racism, sexism, and ageism all from the viewpoint of four different generations. Even The New Yorker did a review on this series.

. . . . . . .

The Great British Bake Off show starts its twelfth season Friday, September 24th on Netflix.  Twelve amateur bakers. Lots of interesting personalities in the bakers, judges, and two comedic sidekicks. Even if you are not a baker it’s still a joy to watch.

Creative Energy: August 20, 2021

Creative Energy: Unexpected Gems

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U  N  E  X P  E  C  T  E D    L  I  T  T  L  E    G  E  M  S

In my first painting class at The University of Michigan, which was taught by Dean Bayliss, our first assignment was to do a large, detailed drawing of some fruits or vegetables. Then, we took a small 2”x 2” matt opening and moved it around the drawing to discover different abstract compositions which, in turn, provided inspiration for a painting. It was more of a lesson in how to see than how to paint.

Many years later I decided to leverage this principal. Whenever I do a painting that just doesn’t work, I cut the painted canvas out of the stretchers and save it thinking it might lead to something in the future. A few Fridays back, as I sat on my front porch listening to my favorite new musician, Cat Clyde, I started cutting little squares out of several old paintings. The result was little hidden gems waiting to be discovered. I kept cutting and cutting.

When you take something out of its original context, it changes and starts to look totally different. Maybe this is the way it was always supposed to be. This principle can be applied to life in many ways.

What’s next for those unexpected little gems? Will they inspire bigger paintings? Will I put little pieces from different paintings together into a new painting? Not sure yet. Stay tuned.

Creative Energy: August 6, 2021

Creative Energy: August 6, 2021

“Myriad” 24x30 Currently on exhibition at the Kentucky State Capital

“Myriad” 24x30 Currently on exhibition at the Kentucky State Capital

V  U  L  N  E  R  A  B  I  L  I  T  Y A  N  D    C  O  U  R  A  G  E

Vulnerability is an everyday occurrence for artists. Each time you create you are putting all your soul into your art and then having the courage to present it to the world. This fact alone will stop some people from ever creating. For me it’s not an option, I have to create. And, yes, sometimes I get anxious or feel rejected.

Recently I applied to a “Call to Artist” by the Kentucky Governor’s office. My painting “Myriad” was chosen to hang in the Kentucky State Capital. I am very honored with this opportunity.

I thought I would share how a “Call to Artist” works. It may be a creative show, exhibition, artist-in-residence, or grant and it is at once an opportunity and an occasion for vulnerability. You are putting your creative work out into the world and saying, I feel my art is worthy; now the judges get to decide if they think you are good enough. The results can be fickle: one year I get in and win a prize, then the next year, new jurors and a rejection letter.

There are thousands of opportunities for artists, but you don’t want to apply to all of them. Some things that I consider when planning to apply are as follows.
• What is the theme or nature of the show. Is it a good match for my work?
• Does it have a national/international reputation or large prizes?
• Who are the judges for the show and what are their backgrounds?
• How much does it cost to enter and how many samples can I submit?
• Location of the show and the shipping cost of the art.

Sometimes I feel it is just the roll of the dice if my paintings are excepted.

Artists know what vulnerability is. You may want to check out this famous TED Talk by Brene’ Brown on the Power of Vulnerability. Click to watch.

Creative Energy: July 1, 2021

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B  L  U  E     T  U  R  B  U  L  E  N  C  E

Joni Mitchell’s album “Blue” turns 50. I was introduced to Joni in high school and she has been my favorite musician ever since. Twenty-five musicians praise her enduring musical creativity in this New York Times Article. Click to read.
 
Joni’s music keeps working its way into my art. The above painting, "Blue Turbulence," was painted a few summers back and was inspired by Joni’s 15th album “Turbulent Indigo”.

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Creative Energy: June 18, 2021

Creative Energy: June 18, 2021

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M  A  C  R  O     M  I  C  R  O

A fascinating article in the New York Times this week chronicled the longevity of the spacecraft Juno as it orbits Jupiter.  The very captivating images that NASA has collected of the atmosphere and storms feel much like the paintings I create.

I’m inspired by the large macro patterns on our own planet; rivers, storms, and crop systems. Jupiter will be a new addition.

My inspiration also goes the opposite way, taking a very micro view of elements and patterns in nature. The above painting “Two Cracks of Light” is an example of a micro view of the movement of water. 

This painting was in the juried show “Our Rivers and Lakes” in Gross Pointe, Michigan where I was honored to receive second place.

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Creative Energy: June 4, 2021

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C O L O R S T U D I E S

Many artists paint a series of paintings using the same subject or theme over and over. Each has their own reasons for doing so; exploring, observing and learning about the same subject.

In this blog post I want to show you a series of paintings I have been working on, as well as a look at two famous artists from the past.

Over the past 6-9 months I have been working on a series of paintings of underwater images with light filtering down and hints of bright colors. Each time I visit the subject, I learn something new. I have more to explore and we'll see where it leads.

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CLAUDE MONET
Monet painted twenty-five haystack canvases from late summer 1890 to spring 1891; capturing different times of the day, light, seasons and weather. He worked on multiple canvases throughout the day. I had the pleasure to see a whole room of haystacks at an exhibit at The Art Institute of Chicago in 1995. It was a joy to be standing in the room and compare one to the other just as Monet would have done 96 years earlier.

VINCENT VAN GOGH
Van Gogh first started painting sunflowers in a vase to decorate his friend Paul Gauguin’s bedroom. He continued to paint a series of seven paintings with the sunflowers in different stages of life. Yellow was a newly invented paint pigment and his use of the yellow spectrum was considered innovative.

Creative Energy: April 22, 2021

Creative Energy: April 22, 2021

N A T U R A L I N S P I R A T I O N

In the fall of 2019, I was selected for the National Park Service artist-in-residence program at Fire Island National Seashore, located south of Long Island, New York.

Over many days I was able to study the seashore, seeing both the subtle and dramatic changes in the water, waves, sea life, and patterns on the beach. The residence was a transformative experience; equally astonishing and rewarding as a painter. My surroundings impacted my work more than I could have predicted. I embraced a new color palette, observing changes in light and natural compositions. With uninterrupted time during those two weeks, I painted a series of ten paintings.

This video depicts my aesthetic experiences on the island and the inspirational relationships to my paintings. Thank you to my son Everett McMillen Cislo for editing this video. CLICK FOR VIDEO

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Creative Energy: March 19, 2021

Creative Energy: March 19, 2021

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C U R R E N T F A V O R I T E S

Painting / “The Blue” is above, this is the start of a new series.
Color of Paint / Phthalo Blue
Books I’m Reading
“The Narcissism of Small Differences” by Michael Zadoorian - The story is set in Detroit in 2009: A look at the life and relationships of a 40ish couple told with great dialog and humor. The author lives in Detroit and is adept at weaving in the unique locales and highlighting the grit of the city.
“Think Like a Monk” by Jay Shetty. Timeless wisdom Shetty learned as a monk transcribed into everyday practical steps. I enjoyed the book much better than listening to his podcasts. Perfect for this time of reflection as we round the corner on Covid 19.
“Where the Crawdads Sing” by Delia Owens. I think everyone has read this book except me. If you haven’t, I highly recommend it. Owens paints word pictures that make you feel like you’re on the coastal marsh-land of North Carolina. A movie version of the book will come out late this fall.
Podcast for Art / The Jealous Curator has over 197 interviews with artists
https://www.thejealouscurator.com/blog/art-for-your-ear-podcast/
Podcast for Thoughts and Ideas / Tim Ferriss interviews Leo Babauta on Zen Habits
https://tim.blog/2020/12/21/leo-babauta/
Music / Human by Rag ‘n’ Bone
Movie / Nomadland starring Frances McDormand. Simple yet thought-provoking at the same time. Gives new meaning to what is important.
Saturday Mornings / Findlay Market: spinach & cheddar cheese scone from Blue Oven, coffee, and weekend paper.
Spring / Welcoming Spring - the smell of fresh air, birds singing and pops of color that happen overnight.

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