Last week in Ann Arbor, I attended a panel discussion on Elizabeth Youngblood’s solo show, “Syntax,” at the Stamps Gallery. Elizabeth, who taught one of my design classes at the University of Michigan, has created a diverse range of works over four decades, including drawings and mixed-media pieces. She emphasized a “through line” in her work, which I could see and feel in the black, white, gray lines, shapes, and patterns that persist in her design and fine arts, along with a sense of calm when viewing the work.
We tend to think of a “through line” in terms of film or literature, but this concept resonated with me as something that can persist through creative work over decades.
Reflecting on my own creative journey, I realized my “through line” began in childhood with a love for textures in nature and textiles, and the unique colors found in older items. We all have through lines, threads, or recurring themes in our lives.
